Met Worry brengen deze Malinese rockers hun eerste volledig Engelstalige single uit en is het meteen de aankondiging van hun komende derde album Keep Fighting Today.
Over het nummer zelf geven ze graag volgende commentaar:
The harshness of life still weighs on our societies and sinks many young people into a dead end. Worry is a positive energy that Songhoy Blues want(s) to be a ray of hope for humanity. Worry is about not stopping fighting because at the very end you will find the light.”
Sinds Soubour volg ik ze al een tijdje en zijn ze een vaste waarde geworden op mijn playlist "wereldmuziek", want black music matters!
Geniet van hun aparte, dynamische Afro-Rock, die ook live bij het allerbeste hoort.
Lees
In 2012, the National Movement for the Liberation of Azawad (MNLA) took control of the north of Mali. In turn, they were pushed out by Ansar Dine, a jihadist group which banned cigarettes, alcohol and music. Garba Touré, a guitarist from Diré, near Timbuktu, was forced to leave, and moved to Bamako, the country’s capital, in the south. Together with Aliou Touré and Oumar Touré, they formed a band “… to recreate that lost ambience of the north and make all the refugees relive those northern songs.” The three of them, unrelated despite having the same surname, are Songhoy people. The name of the band comes from their ethnicity and the genre of music they play, ‘desert blues’.
Songhoy Blues began playing on the Bamako club circuit, attracting both Songhoy and Tuareg fans. In September 2013, Africa Express, a group of American and European musicians and producers led by Damon Albarn, visited Bamako to record an album of collaborations. The band auditioned successfully and were introduced to Nick Zinner, the American guitarist of the Yeah Yeah Yeahs. They worked with Zinner to record “Soubour,” meaning patience. The track was released in December 2013 on Maison Des Jeunes, the 2013 Africa Express compilation.
Following the success of “Soubour”, the band returned to the studio with Zinner and co-producer Marc-Antoine Moreau to work on an album. Their debut album, Music in Exile, was released on Transgressive Records in February 2015 and on Cult Records, via Atlantic Records, in North America in March 2015. It received “universal acclaim” according to the review aggregating website Metacritic. Robin Denselow, writing for The Guardian, described the album as “an impressively varied and rousing set”, and named Songhoy Blues “[a] band to watch”. In the NME, Kevin EG Perry described the album as “a masterpiece of desert blues; blending American guitar licks with Malian groove”.
The band were nominated for “Best New Act” at the 2015 Q Awards and as “Independent Breakthrough Act” at the 2015 AIM Awards. They supported Alabama Shakes at the Beacon Theatre in New York, and were subsequently called “insistent and determined but also headed for the ecstatic” in a review posted by The New York Times. They have also supported Julian Casablancas and Damon Albarn and in 2015 appeared at numerous festivals including Glastonbury Festival, Bonnaroo Festival, Latitude Festival, Roskilde Festival and Green Man Festival. In 2016 they played at Byron Bay Bluesfest and WOMADelaide in Australia and Green Man Festival and The Great Escape Festival in the UK. At the Royal Albert Hall for Later… with Jools Holland’s 25th anniversary, they played two songs with Tenor saxophone player Tunday Akintan.
“We grew up listening to old music by the Beatles, Jimi Hendrix and John Lee Hooker. But our main diet was hip hop and R&B. We can’t stay in the traditional aesthetic of our grandparents; that was another time. Besides, we love electric guitars too much”.
#sounds #newmusic #newsong #newvideo #nieuwnummer #fredericzwartjes #songhoyblues#worry#transgressiverecords
