De nieuwe single van het duo King Hannah laat meteen een brede waaier van de band horen: een ingetogen folk vibe op basis van de prachtige stemmen van Merrick en Van Etten, de vintage rockinvloeden zodra de gitaar wordt ingeplugd en de ritmesectie inzet, het psychedelische gitaarwerk van Whittle tijdens zijn solo. Uitkijken dus naar het nieuwe album, alsook het - nu reeds uitverkochte - optreden in de AB Club dit najaar.
Big Swimmer verschijnt op 31 mei via City Slang / Konkurrent.
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Liverpool duo King Hannah (Hannah Merrick and Craig Whittle) are excited to announce Big Swimmer, due for release on 31st May via City Slang. The record was produced by Ali Chant (PJ Harvey, Aldous Harding, Perfume Genius) and finds wide-screen inspiration from the band’s time on the road over the past few years across the US, with stints supporting Kurt Vile and Thurston Moore.
The announcement is accompanied by the stunning album opener and title-track, featuring guest vocals from Sharon Van Etten, who the band connected with when Van Etten posted about their debut single ‘Crème Brûlée’. The track opens with a starkly vulnerable vocal, Van Etten and Merrick’s voices effortlessly intertwined, gently unravelling the song’s gut-punching message – life is really what you make of it. The second part of the song warms to a rich, rolling ‘70’s American folk rock influenced gem, marrying darkness with light and carrying home the final message of ‘Big Swimmer’ – never stop swimming.
Vocalist Hannah Merrick has to say on the song – “I remember sitting at my desk and the song just came pouring out and the big swimmer metaphor instantly felt right; to never give up on whatever it is you’re swimming hard towards. But I like that it questions the listener too, that whenever you’re faced with something challenging, do you carry on swimming or do you jump out and grab our towel? There’s no right answer, but it feels empowering and necessary for the record.”
Filmed in a local sports hall, the accompanying visual features Hannah walking around an empty space in a red flamenco dress against ocean blue walls. By the time the second half of the song hits she has arrived to her band, waiting for her at the other end ofthe hall and consisting of two small children on guitars and Craig playing a tiny drum kit. Looking like it was shot on 16mm, the video takes inspiration from the look and feel of Craig’s favourite films from the American new wave of the late 60s and 70s.
