Demon Head is een verborgen parel die maar onder het wateroppervlak blijft drijven. Zonde, want dit Deense vijftal weet een unieke sound te creëren die ik bij nog geen enkele andere band tegenkwam. Met hun ‘diabolical rock’, een mix van expressieve vocalen, occulte invloeden en elementen uit punk, heavy metal en doom, vaart Demon Head reeds tien jaar haar eigen koers.
‘Every Flatworm’ is de eerste song van de plaat ‘Through Holes Shine the Stars’, en meteen een nummer van formaat. De herkenbare stem van zanger Marcus Ferreira Larsen bezingt verlangen en wanhoop, en wordt ondersteund door stevige drums, virtuoze solo’s en gloomy samenzang. Een nummer dat meteen de aandacht grijpt en blijft boeien door z'n dynamische opbouw en onverwachte accenten. Als je vandaag één band ontdekt, laat het dan Demon Head zijn.
Though Holes Shine the Stars verschijnt op 20 september 2024 via Svart Records.
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Demon Head is proud to announce the release of Through Holes Shine the Stars on Svart Records. The album is the fifth full-length from the band that celebrated their first 10 years of existence last year, and it is undoubtedly another milestone on their tireless – and very own – path through the wilderness. It is a deeper, darker well of tones and melodies than before, while being significantly more extroverted than their last releases. All in the seemingly effortless, strangely catchy, and unique manner that Demon Head has become known for.
Bassist Mikkel Fuglsang reflects on the creative leap between this new material and their previous efforts: “Our first four records can be seen as the pillars creating a structure in order to reach the new level that this undoubtedly is for us.”
The eight songs were written collectively during several concentrated sessions from 2019–2022 and recorded entirely by the band themselves from October 2022 to March 2023 in their own studios in Copenhagen and the west coast of Ireland. Guitarist, vocalist, and multi-instrumentalist producer, Birk Gjerlufsen Nielsen expands on the process: “This long and careful process has allowed us to reach a balance between structural precision and artistic expansion, melodic simplicity, and compositional depth. It feels like we’ve uncovered every possibility within each of these songs without losing track of the original nerve.”
In continuation of previous collaborations, Demon Head has mixed the album with the legendary engineer and producer Flemming Rasmussen (Metallica, Morbid Angel, Ensiferum, etc.) in Sweet Silence Studios. Vocalist and recording engineer Marcus Ferreira Larsen remarks: “Like any true master Flemming has created a direct and hard-hitting, transparent mix that does nothing but enhance what is already communicated in the compositions and the performance. He helped us place everything in the landscape that we’ve carved through recording everything ourselves once again.”
With a running time of 47 minutes, this is Demon Head’s most extensive work to date. Birk Gjerlufsen Nielsen comments on one of the songs: “The Chalice opens with a discordant anthem that unbelievably enough combines the qualities of late Scott Walker with Europe’s The Final Countdown. It’s a good introduction to how Marcus and I have worked closely together to complement each other’s voices. It’s consistent that we sing together throughout the whole record. Between the two of us, there’s a balance of equal parts raw charm and melodic desperation”.
Birk Gjerlufsen Nielsen continues: “Songs like Our Winged Mother and Every Flatworm move effortlessly through heavy riffs, woodwind arrangements, and tape-manipulated percussion sections that certainly pay homage to Conrad Schnitzlers work on Silvester Anfang of Mayhem’s Death Crush.
“Birks excellently executed – and frankly, wild – singing is humble but devastating in its emotion, and this voice finally takes a more front-stage place on this record”, Marcus Ferreira Larsen says.
On the lyrical front, Through Holes Shine the Stars is also a leap forward, as the lyrics are both more immediate and more poetic, reading like short stories but wrought out with a nerve that leaves no doubt as to the meanings these carry for the singers and the band. It seems that they could all take place tomorrow or in the distant future or past. The threads that emerge from the stories weave through moments of explosion, moments of grief, existential despair, and faint but adamantine hope.
The musical narrative ends with the two lengthy cuts Frost and This Vessel Is Willing. Birk Gjerlufsen Nielsen: “Frost is a many-faced exploration of known textures. It’s almost a celebration of the rhythmic music that’s inspired us through the years. It culminates in an epic double guitar solo between Anders M. Jørgensen (Slaegt, Scimitar) and – on this rare occasion – me. This Vessel Is Willing is sort of an epilogue if you will. The composition is part improvisation, part rearranged collage work of a blown-out and late-night session we had with Adam CCsquele from Slaegt (and a thousand other projects) on drums. A friend of ours, Jim Slade, joined on bass clarinet and my brother Thor picked up some detuned guitar and used a bow on it. I took the whole thing back to Ireland and supported the dynamics with different tape manipulation techniques and woodwind arrangements. Marcus‘ vocals are pure prophetic desperation, and I think you can hear how it physically hurt him to strain to the extremes he went through in this performance”.
This unearthly conclusion makes it clear that the determined musical exploration that Demon Head have practiced since the very beginning is not yet over but might suggest that a new era has begun. Vocalist and lyricist Marcus Ferreira concludes on the collective drive behind the work on this record: “These eight new songs are like a prism of despair through which we try to convey a state of liminality, where moments of faint hope urgency rub shoulders with bursts of surreal and playful absurdity, all cast against the background of despair as void as the night sky through which these stars shine”.
