Holy smokes, wat is dit mooi zeg! Het is de tweede keer dat Dawn Richard samenwerkt met multi-instrumentalist, producer en componist Spencer Zahn. Resultaat is een bloedmooi, minimalistisch muziekstuk dat de warme stem van Richard laat samensmelten met de wat kil aandoende atmosferische soundscapes van Zahn. Breath Out (weldegelijk zo geschreven terwijl Richard het wel als 'breathe' uitspreekt) balanceert heerlijk op de lijn van een filmische compositie, jazz en soul. Teder, met véél ruimte om te klanken en noten te laten vloeien. Dromerig, zodat we een moment van rust kunnen vinden in deze hectische manier van leven.
Quiet in a World Full of Noise verschijnt op 4 oktober 2024 via Merge.
Luister ook naar: Crimson
Lees
Richard and Zahn share a common collaborative ethos, a genuine sense of musical curiosity, and cosmopolitan eagerness to escape the conventions of genre. That shared vision first brought them together on 2022’s Pigments, and now reunites them for Quiet in a World Full of Noise, a bold experiment in emotional storytelling, and a blueprint for stillness, simplicity, and the art of working across differences in the midst of a polarizing cultural climate.
On paper, Richard and Zahn’s audacious, impressionistic musical collaborations feel like a surprising match. Richard, a New Orleans–reared visionary, has had an improbable journey from late 2000s reality television and mainstream pop with girl group Danity Kane to become one of the most prolific, experimental, and visible indie R&B singer-songwriters of the last decade and a half. Zahn is an East Coast–raised multi-instrumentalist and composer working at the intersections of jazz, Americana, classical, and ambient pop. The duo’s first release, Pigments, “was one of the best projects I’ve ever made and the furthest I’ve ever been pushed as an artist,” says Richard.
The making of Quiet in a World Full of Noise began in 2023 in upstate New York. Fresh from a break-up, Zahn sat at his piano and poured himself into writing and recording instrumental compositions. “I wrote all these stream-of-consciousness pieces on piano, and they were eerie, spacious piano tracks,” he says. He used a piano that had been unconventionally tuned to the room rather than to standard pitch. These recordings were never intended to be an album, but six months later, he listened to the instrumentals again and sent them to Richard who immediately recognized their potential as the follow up to Pigments.
Richard went into the studio the next day to write and record melodies and lyrics to Zahn’s piano recordings. “I did not write this down—I purged it out, and then I didn’t change anything after it. Our family has a distorted view of therapy; I’ve had to do a lot of healing on my own. So this was a moment of severe openness, sharing that moment with the world,” says Richard. While Pigments featured a smaller, more insular group of musicians, Quiet branches out, bringing in gifted players like Bryan Senti on strings, CJ Camerieri on brass, and the 26-person Budapest Film Orchestra—recorded remotely at 4 a.m.—for the dramatic “Moments for Stillness.”
Richard describes Quiet in a World Full of Noise as grounding: “Right now, everyone’s a little bit overwhelmed. I hope that this will be the record that people put on when they need the opportunity for reflection, when they need the stillness in their lives, now more than ever.”
